Mallrats R.I.P.

This site makes me feel a little sad. Back when I was small, my American friend Travis would tell me stories of the huge malls that he’d been to, filled from the floor to the ceiling with rare Transformers, Teenage Mutant Ninja Turtles and G.I. Joe (or Action Force, to use the colonial name) figures. To a six year old who only had one and a half toy shops in his town, it sounded like heaven.

In addition to Travis's stories, the films I watched, and the magazines I read reinforced the notion that shopping malls were *the* place to be; Marty McFly went into the past outside a JC Penneys, while in Smash Hits I read interviews with Tiffany where she said that her favourite hobby was "hanging out in the mall, playing Lazer Tag" (this is the part where I am forced to admit that I own a Tiffany album, isn't it? Curses). I saw images of people skateboarding, rollerskating, and having a great time. I wanted to be those people, enclosed in this vast, safe space, shopping, not having to worry about being run over when I wanted to go from one shop to the other.

Eventually, Travis's dad was transferred back to America, and he told me stories about Phoenix, and Las Vegas, where he still lives today. On our first visit to America in 1994, we went to the Meadows Mall. I had grown up a little in the meantime, and Britain had got a few shopping malls, so I knew what to expect, but it was still an impressive experience. The shape, with the big department stores at each end, the food court, the people milling around; it was fantastic. No Lazer Tag, though (I strongly suspect that Tiffany was making that up. See if I buy any of your comeback records!).

Yeah, I have a well-read copy of No Logo, and I followed the protest at The Streets of Southpoint. I know that unlike the commons of the town square, malls are/were private property, clamping down on public speakers, forcing local proprietors out-of-business, and a host of other undesirable things. Still, they're preferable to the out-of-town boxes and strip malls; the shopping mall at least had some personality, as opposed to just being a giant car park with a Wal-Mart, an Old Navy, a Best Buy, and a few other little stores arranged in a circle.

The mall isn't dead yet, of course. Large-scale operations, like Southpoint, seem to do well. But I think the 1980s concept of the local mall is on the way to joining the diner as a piece of American cultural history. Incidentally, considering that most malls won't let you take pictures, it'll be interesting to see how much documentary evidence of them remains fifty years from now...

currently playing: New Order - Ultraviolence

Tired Excuses

I did have something planned for today’s entry, but I’m so tired at the moment that I can’t give the effort that it deserves. Perhaps tomorrow.

Have a look at some pictures in the meantime.

currently playing: Radiohead - There There

In Order To Form A More Perfect Union

A Independence Day present from MIT: Government Information Awareness. Turnabout is fair play, after all.

“I play terminator, but you guys are the true terminators”

Yes, I'm sure the US Army loves its troops being compared to an emotionless killing machine. Well, at least he can't become President.

Bonnie saw Bill Clinton tonight! And Hillary!

currently playing: Slumber Party - Fantasy

Tin Foil Saves Us All

Because Gavin demanded it…

currently playing: Zwan - Heartsong

Public Service Broadcasting At Its Best

Listening to a five-hour debate on the future of the music industry. Ah, how I missed BBC radio. So far, Thom Yorke and Tom Robinson have eviscerated the record industry’s illegal downloading argument in less than five minutes. Nice.

Switching to live commentary, as some of you aren't blessed with a UK radio feed :-)

Simon Mayo asked when we last bought a single. Scarily, I don't think I've bought one for over a year. This is rather surprising; when I was at Manchester, I'd head off into the Northern Quarter every Thursday, coming out with at least two or three singles. Phil would then spend the evening complaining that I always brought obscure rubbish into the hall. Of course, he spent most of the final two years listening to Celine Dion, so I think my taste prevails.

They're not giving the record companies any breaks here at all, pointing out that the destruction of Napster without a viable legal alternative just encouraged illegal downloading, and that sharing itself is put of the music experience. It's never a good idea to declare that your main enemy also happens to be your core audience. D'oh.

Time for some Clear Channel bashing. Always a good thing, I feel 8-). 98% of music sales in America are domestic? That's quite scary.

I'm supporting the evening by downloading tracks as the debate rolls on. My conscience is having a day off today; I'll probably get guilty about it and buy the albums on Friday.

Stuart Maconie is reading out comments from listeners. If I was the record industry, I'd be scared. The programme has been on for two hours, and I haven't heard a positive listener response yet. The general public despises them. I don't think it's going to get better, either, what with the BPI threatening to use legal action against filesharers.

The debate itself is about to start. Jeremy Vine. Oooh. The return of the fabled Tony Wilson cycle theory! The head of EMI says that record companies should try to encourage and nurture talent. Which is probably why they dropped a host of small bands, fired a bunch of staff, and then handed Robbie Williams an £80m contract, on the increasingly absurd idea of him breaking America...

(Interestingly enough, Radiohead's contract with EMI will be up soon. I wonder whether they'll re-sign or not?)

Time for the scary statistics bit: a Number #1 hit in May only had to sell 36,000 copies to reach the top. The single is dead. Let's ram a stake through its £3.99-priced body.

Independent Label woman (I'm hopeless at names, sorry) is bored of all this talk of doom and gloom; apparently the small labels are doing quite well at the moment. So far, this is all shockingly positive; all the record heads are admitting that the demise of the single format isn't the end of the music industry. Meanwhile, Beverley Knight is trying to dig herself out of a hole, after falling into the "things aren't as good as they used to be" nostalgia trap. Selective memory is a bad thing; there were an awful lot of bad records in the 1980s, as the rest of the panel are currently pointing out.

Moving on to downloading again. 12 year-olds explaining how to get music from the Internet. Heh. Beverley Knight is continuing to be annoying and patronising. And she's the only artist represented on the panel. Pricing is not the issue, apparently. Music companies are not Luddites. So, Napster - 1997, was it? In the end, it took the intervention of Apple to come up with a workable legal solution. That's six years, and only because somebody else did the work.

Compulsory licensing! Compulsory licensing! Compulsory licensing!

Paul Weller's "I think they're [record executives] all scum" gets a huge cheer from the audience. They're starting to get a little defensive now. Deflect the attention back to radio playlists! (Mind you, the story of Radio 1 wanting to see a video before they add a track to a playlist is a little weird and depressing)

Another depressing story; the singer who got radio stations interested in her single, until they discovered she's only on an independent label, and she didn't have a 'plot' (marketing plan, how much money is behind the record, etc.). The playlist controller of Radio 2 is now doing an advert for the fair and balanced selection process that they offer :-). Of course, the big game is Radio 1, which is now receiving a fair bit of criticism, specifically the rather bland daytime playlist. On the other hand, without the playlist, we wouldn't have the classic Mark & Lard sideswipes after they've played a record for the 100th time…

Apparently, EMAP video channels won't accept videos unless the management accept certain advertising packages. Payola is not just limited to the USA.

Okay, when I left Britain, it was full of generic rock clones and garage tunes. Where did all The Cure-style bands come from?

currently playing: Something by a band called British Sea Power. Or, The Cure. Hmph. I think I’ll go and listen to some twee American music in an act of protest.

It's Not My Fault!

I think I’ve managed to trace the problem. NTL is doing funny things with their transparent proxy servers at the moment, and they’re mangling all HTTP POST requests, thus making it impossible to update the weblog. I’ve switched to another proxy server, and so far it seems to be working.

More later…

currently playing: Tori Amos - Silent All These Years

I Give Up

Something’s not working right. But I’m too tired to try and look into it any further tonight. The Electric interweb is rusty at the moment…

All Music, All The Time

Except, of course, for the fifteen minute advert breaks.

Liz Phair responds to the NYTimes review of her latest album. Genius, or a further indication that she’s completely lost the plot?

The British Phonographic Industry threatens to follow the RIAA’s lead and sue P2P users. Meanwhile, there’s renewed interest in the anonymous Freenet Project. This next-generation P2P platform is designed to allow untraceable filesharing. Oh, and it works.

Officially endorsed R.E.M. and U2 trading posts, collecting hundreds of live recordings.

Cat Stevens is slightly better off as of last weekend, as EMI settles a lawsuit over similarities between his “Father and Son” and The Flaming Lips’ “Fight Test”.

In other news, I’m grateful to Apple for giving me lots of warnings about installing Panther. I’ve decided to wait until the official release comes out, as the Preview can’t be upgraded to the final version. That’s probably not a good idea. I can wait. Honest.

In further other news, my face appears to be peeling off.

  • I will wear sunscreen in future.
  • I will wear sunscreen in future.
  • I will wear sunscreen in future.
  • I will wear sunscreen in future.
  • I will wear sunscreen in future

currently playing: Radiohead - Knives Out

Devious Technology

You have to give the record industry some credit. Orrin Hatch recently spoke about destroying the computers of people who break copyright laws. The industry is way ahead of him on this; copies of Tubular Bells 2003 are reported to be destroying CD-ROM, DVD-ROM and DVD drives. Nice. Why can’t this technology be applied for good? If only all the copies of Fast Food Rockers CDs were similarly inflicted…

Okay, so that's the depressing news. To compensate, I present: THE GREATEST PRINTER IN ALL RECORDED HISTORY. I have to admit that it sounds a little far-fetched, but it looks really cool. I hope they're producing a henna ink-cartridge - instant henna tattoos!

Finally, in case you need a laugh, have a read of the latest RSS Wars. Yes, even software developers act like four-year-olds who take their toys home when things don't go their way.

currently playing: Brassy - Play Some D

Weird? Me?

Okay, so I dreamed I had pizza at McSweeney’s last night. Eating foodstuffs at imaginary restaurants based on a literary magazine. Is that weird?

I should just stop talking now, right?

currently playing: Longpigs - Far